Preliminary Programme
Wednesday, September 15, 2021
09:00 Registration
09:30 Opening Session – Welcome
Session ♦ Pitching it Right: Exploring Melody
Bob Carlyon
Rhythm & Blues: What CI listeners can get out of music
Charles Lim
The relationship between electrode location and cochlear place pitch
Selected podium presentations
Session ♦ Mixing it up: Different Listening Approaches for Enjoying Music
David Landsberger
How music perception is influenced by the combination of acoustic and electric stimulation in single-sided deafened listeners
Rene Gifford
Benefits of combining electric and acoustic hearing for music sound quality and various aspects of music perception
Mark Fletcher
Enhancing music perception in cochlear implant users by providing missing sound-information through tactile stimulation
Selected podium presentations
Session ♦ Setting the Standards: Understanding Signal Processing Advances and Settings for Improve Music Listening
Waldo Noguiera
Signal processing and sound coding strategies to make music more accessible for cochlear implants users
Brian Moore
Listening to music through hearing aids: potential lessons for cochlear implants
Kate Gfeller
Listen to Music through a CI: From the experiences of the users to the experiments of the researchers
Selected podium presentations
17:30 End of Day One
19:00 Social Night
Jeremy Marozeau, Charlotte Nordin, Raphael Ortiz
An audio-tactile artistic installation to enhance musical experiences
Thursday, September 16, 2021
Session ♦ Practice Makes Perfect: Different Training Approaches, Benefits, and Limitations (pt 1)
9:30 Opening Session, Day Two
Colette McKay
Does music training have a role in cochlear implant (re)habilitation?
Lorenzo Picinali
Training music listening skills for bilateral CI users through a VR-based application
Selected podium presentations
Sponsor Session ♦ Oticon Medical’s take on Music & CI
Selected presentations
Practice Makes Perfect ♦ Different Training Approaches, Benefits, and Limitations (pt 2)
Deniz Başkent
Can music training improve vocal emotion perception in CI users? If yes, what kind?
Debi Vickers
Different approaches to delivering training for improving effectiveness
Selected podium presentations
Ian Cross
Exploring spontaneous interaction in speech and music and the extent to which common interactive processes underlie both “domains”
Peter Vuust
Understanding cortical responses to musical sounds
Panel Discussion
Closing remarks
16:30 End of Symposium